Dear Ravi, Nagaraj,
Thanks. Incidentally the song that I originally referred, is by Pattinathar and not by Ramalinga Swamigal.
I am sorry for the error.
Pattinathar and Ramalinga Swamigal are considered to be Jnanis with siddhic powers. In fact, you can see some of
their songs in Siddhars' Songs books in Tamizh. A good collection has been published by Vanathi Padippagam, Chennai
600 017. Ramalinga Swamigal's complete works has been recently published by Vardamanan Padippagam, North Usman
Road, Chennai. This consists of totally 8 volumes one volume being his prose works.
In this context, I remember Umapati Sivam, a brahmin dikshitar of Chidambram Temple. By turn the priests (dikshitars) do
abhishekam and alankaram and arti for Nataraja. A period of 15 days came which was Umapati Sivam's turn. In those days
they used to take bath at home before proceeding for each time's abhishekam etc., after adorning rudraksha and vibhuti.
There will be a palanquin on which such a priest will be carried to the temple, with torches carried by men on four quarters.
Once Umapati Sivam was proceeding to the temple for ucchi kala puja, noon time puja, on the palanquin by four people
and torches burning. One mad man was walking near the palanquin. He suddenly looked at Umapati Sivam and laughed
roaringly, and said: Settha piNathin mel sAhAdha piNam onRu pohuthu pAr, pohuthu pAr pahal kurudu....
Settha piNam - the bamboo palanquin.
SAhadha piNam - the living dikshitar
pahal kurudu - as if day blind, torches are burnt around the palanquin.
Umapati Sivam understood the meaning, because he was already an erudite scholar. He jumped out of the palanquin and chased
the mad man. The man ran fast and he chased him. Finally near Ammapet, outskirts of Chidambaram, he caught hold of the mad man.
He prostrated to him. The mad man took the red hot ganji (that was kept to apply on the threads of yarn that were being weaved;
even today this place is famous for yarn making and cloth weaving), and poured it on the palms of Umapati Sivam. Umapati Sivam
took it and he got the wisdom in a jiffy. He left the temple work and was going behind the mad man. He is said to be AruL
Nandi Sivam, the guru of Umapati Sivam. He later wrote Kunjitanghristavam, a work praising the curved foot of Nataraja.
Arunachala Siva.